The Tiny Tim Effect

March 21, 2011
by

image

In Jim Beloff’s book, The Ukulele, A Visual History, there is a table that contains the number of ukulele’s produced by the Martin Guitar Company.  It provides an interesting glimpse into a half century of (mostly) American history, and of course provides a view into the popularity of the instrument.

 

clip_image004

 

The major high and low points of the last century are represented – The great depression and World War II both have a significant impact on the popularity of the instrument.  Cultural milestones appear as well – the growing American fascination with Hawaii and the flapper era coincide to create the first boom in uke sales.  The second big boom coincides with Arthur Godfrey’s rise and his popularization of the instrument.  This boom lasts fifteen years.

The popularity of rock and roll and a backlash against the uke fad drive numbers down in the 60’s, but the instrument still seems to do fairly well until 1968, when just before the end of the graph, something amazing happens.  Production numbers crash to double digits, a place where they have never been (other than the first year of production).  What happened?

A lot happened in 1968 – but only one story includes the uke as a major player. This story:

 

Tiny Tim on Laugh In.

This was the year that Tiny Tim hit the national stage.  He recorded his first album for Reprise, and Rowan and Martin’s Laugh-In introduced him to America.  Although the album reached the #5 spot in the charts, fame did not translate into ukulele sales this time.  In one blow, the credibility of the instrument seemed to be shattered.  What Jack Benny failed to do for the violin, Tiny Tim did for the uke. 

I’m a big Tiny Tim fan, but even I did not rush out in to purchase an instrument in 1968.  The uke seemed dead outside of Hawaii where it was too much a part of local culture to completely fade away.  Although people as influential as George Harrison continued to play and popularize the uke, it is only in the last 10 years that the instrument has seen a renaissance, and now, only after a slow, steady recovery are there great players popularizing the instrument again.

I’ll leave you with a couple of favorite uke videos:

 

 

Ok, and one more Tiny Tim song. 

 

Those poor kids.  Not even a uke song, just the strangely contemporary “The Other Side”.  Check out the vintage video feedback too. 

 

What do you think of the uke?  This post? Tiny Tim? Leave your comments below.

VN:F [1.9.10_1130]
Rating: 8.0/10 (1 vote cast)
The Tiny Tim Effect, 8.0 out of 10 based on 1 rating
  • Print
  • Digg
  • StumbleUpon
  • del.icio.us
  • Facebook
  • Twitter
  • Reddit

3 Comments for this entry

  • KateR says:

    You’re convincing me. I have the double misfortune of being old enough to have seen Tiny Tim on Rowan & Martin, yet young enough to have been scarred by the experience. It did, indeed, thoroughly ruin the ukulele’s reputation for me. The artists you have here are fantastic. I did NOT watch the TT videos. Don’t ask me to.

    VA:F [1.9.10_1130]
    Rating: 0.0/5 (0 votes cast)
  • RE the first two bits, who would have guessed the uke could sound so wonderful? Tiny Tim, on the other hand — OMG, how could the network and parents allowed him to get in front of those children! Anyone would be emotionally scarred (I know I am)!

    Most interesting. Thanks!

    VA:F [1.9.10_1130]
    Rating: 5.0/5 (1 vote cast)
  • Norm says:

    An interesting counterpoint to the Martin graph can be found here:
    http://ngrams.googlelabs.com/graph?content=ukulele&year_start=1775&year_end=2000&corpus=0&smoothing=3

    VA:F [1.9.10_1130]
    Rating: 0.0/5 (0 votes cast)

Leave a Reply

Your email address will not be published.